To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
比利因性格原因常常遭受霸凌。在他生父留下的一台旧相机中,他感受到失落与连接的复杂情感。比利的母亲已经再婚三次,并和现任丈夫移居到美国。后来,他年轻的妹妹不幸溺水,家庭因此被继父抛弃,不得不返回台湾。
一天,洗完澡后,比利低声对自己说:“我要坚强,”身边放着几瓶药。他坐在马桶上,挣扎于孤独和困惑,试图逃避痛苦的现实。
Billy often faces bullying due to his personality. In an old camera left to him by his biological father, he feels a complex mix of loss and connection. Billy’s mother has remarried three times and moved to the United States with her current husband. Later, after his younger sister tragically drowned, the family was abandoned by her stepfather and had to return to Taiwan.
One day, after taking a bath, Billy whispers to himself, “I need to be strong,” surrounded by several medicine jars. He sits on the toilet, struggling with feelings of loneliness and confusion, trying to escape his painful reality.